|
see notes
at bottom of page |
Scene: Théoden's Exorcism
+
CR-TTT Track: The Court Of
Meduseld; B-2
Source Text:
The
Fight, The
King
[2:15] Mettanna!
[2:25] Lim-
[2:26] strang
[2:28] wæs
[2:30] ge-
[2:32] bo
[2:33] ren
[2:35] Bearn
[2:37] léod
[2:39] cyn-
[2:41] in-
[2:43] ga
[2:44] Ma-
[2:46] go-
[2:48] rinc
[2:50] Mear
[2:51] ces
[2:53] Bun-
[2:55] den (in)
[2:57] byr
[2:58] de
The
singing on the OST is shorter than in the movie and
the CR.
return to top
^
|
|
Scene:
Théodred's Funeral Procession (sung by choir)
-
CR-TTT Track: Théoden King,
B-3
Source Text:
The Funeral of Théodred
3:30 – 4:00 Lyrics not
determined but I think I might hear 'Bealocwealm' at
3:45 - 3:50.
To read or participate in a
discussion of these lyrics, visit
A Magpie's Nest Forum.
return to top
^
|
|
Scene:
Lament For Théodred (sung by Eowyn)
-
CR-TTT Track: Théoden King,
B-3
Source Text:
The Funeral of Théodred
[3:59] Bealocwealm
[4:02] hafað
[4:03] fréone
[4:04] frecan
[4:05] forth
[4:06] onsended
[4:09] giedd
[4:10] sculon
[4:11] singan
[4:12] gléomenn
[4:13] sorgiende
[4:16] on Meduselde
[4:20] thæt
[4:20] he
[4:21] ma
[4:21] no
[4:22] wære
[4:24] his
[4:25] dryhtne
[4:26] dyrest
[4:28] and
[4:28] maga
[4:30] deorost.
[4:33] Bealo
return to top
^
|
|
Scene: Gandalf Farewells Théodred
+
CR-TTT Track: Théoden
King: B-3
Source Text:
The
Fallen
[5:19] Of
[5:23] cil
[5:25] de
[5:26] tó
[5:28] menn
[5:32] thæt
[5:36] hé
[5:38] his
[5:40] déath
[5:44] ge-
[5:46] sé
[5:48] o.
[5:52] thæt
[5:58] hear
[6:00] de
[6:04] sóth
return to top ^
mostly
verified by symphony lyrics - hidden text - 2syllables
in disagreement with MusicNotes version. I kept the
MusicNotes version since it made more sense.
|
|
Scene: This Is a Dream /
Evenstar
CR-TTT Track: One of the
Dúnedain, B-7
Source Text:
Evenstar
[2:35] U i ve- (U)
[2:38] thed na i on- (i)
[2:42] nad. Si boe u- (ve)
[2:46] dhanna* (thed)
[2:50] ae u-es (Na)
[2:54] teli.. (i)
[2:58] esteli (on)
[3:02] ach nad (nad)
[3:22] (Na)
[3:25] (boe)
[3:29] (u)
[3:33] (i)
[4:32] Estelio (Te)
[4:36] han, Esteli (li)
[4:40] o han este (ach)
[4:44] lio (nad)
[4:48] Esteli (Es)
[4:52] o han (te)
[4:56] esteo* (li-o)
[5:00] veleth (han)
This music is in 3/4 and
each line above represents one bar of music.
The syllables in parenthesis is
the choir's part. 3:22 - 3:33 is sung by the choir only
*dhanna from dhanna(thach)
*esteo from este(li)o
From the Annotated Score of
TTT: "Lyric soprano Isabel Bayrakdarian enters singing
“Evenstar” over female chorus divided three ways. ...
Isabel Bayrakdarian’s first statement of the Evenstar
(Arwen & Aragorn) theme is
not heard in the final film.
Instead, the female chorus and the harp arpeggios carry
the first moments of Aragorn’s flashback by themselves.
Her performance is heard in its entirety here on the
CR-TTT" (Doug Adams) In the movie, this
'first
statement' was tracked into a later moment where
Elrond shows
Arwen a vision of Aragorn's death.
In the movie, this singing was tracked in to the later
scene where Elrond provides a vision of Aragorn's death.
This music was not originally intended for this scene
and was replaced on the CR with the intended music
(which does not use singing). The lyrics used are the
first section above repeated twice. The music intended
for Elrond and Arwen's conversation over what it means
to be mortal
can be heard on the CR-TTT.
return to top ^
|
|
Scene: Let Her Go
+
CR-TTT Track: One of the
Dúnedain,
B-7
Source Text:
Gilraen’s Song
choir:
[5:07] A
[5:07] chén
soloist:
[5:08] Es
[5:09] tel,
[5:12] le íon
[5:14] adar
[5:17] lín
This is just the first
section of the longer piece heard at
Gilraen's Grave in FOTR. The
TTT Credit music contains the last section of that
longer piece.
In the movie, this singing
was tracked in to the later scene where Elrond provides
a vision of Aragorn's death. This music was not
originally intended for this scene and was replaced on
the CR with the intended music (which does not use
singing). It can be heard in the movie just as the
vision ends, Elrond says, "Arwen", and Arwen takes a big
breath... as if she's been holding it. It does not
contain the first choral notes but starts with "Estel".
return to top
^
|
|
Scene: The Warg attack, pt 1: You must lead the people
+
CR-TTT Track: The Wolves of
Isengard, B-8
Source Text:
The Call
[1:52] Hearp
[1:54] estrenge
[1:57] Hwær cwóm scír
[2:00] fyr
[2:01] scí-
[2:02] nen-
[2:04] de
This cue essentially starts when
Théoden tells Éowyn to
'lead the people' and ends after Aragorn and Éowyn have
exchanged a last glance and Aragorn spurs his horse off
toward the attack. In the
OST, the music lasts
throughout this section. In the movie and on the CR, the
singing only starts once we see Aragorn, on his horse,
look back at Éowyn. For the music heard as the Rohirrim
ride toward the Warg Riders, see the next entry.
return to top
^
|
|
Scene: The Warg attack, pt 2:
Riding into Battle with the Wargs
+
CR-TTT Track: The Wolves of
Isengard, B-8
Source Text:
The Call
[2:17] Helm cwóm
[2:20] Helm?
[2:26] Hwær helm
[2:33] cwóm helm cwóm
[2:37] helm
This section is heard as the two
cavalry ride toward
each other. The cue in the CR is longer than in the
movie.
return to top
^
|
|
Scene: Éowyn receives the news
of Aragorn's fall
+
CR-TTT Track: Refuge of
Helm’s Deep, B-9
Source Text:
The
Missing
[3:36] Héo
[3:39] dréag
[3:40] thá
[3:41] losinga
[3:45] Earla
[3:47] thinga
[3:48] the héo
[3:50] forléas.
return to top
^
|
|
Scene: Aragorn's revival on
the shore
+
CR-TTT Track: Arwen’s Fate,
B-11
Source Text:
The Grace of
the Valar
[0:11] Uich gwennen
[0:17] na 'wa-
[0:20] nath ah
[0:23] na dhín. An
[0:27] uich gwe
[0:31] nnen
[0:34] na ringyrn
[0:41] e-mbar han. Boe
[0:44] naid
[0:48] bain gwannathar,
[0:51] Boe
[0:55] cuil ban fi
[1:01] ritha.
[1:30] Boe
[1:33] naer
[1:37] gwan
[1:40] nath
[1:44] ach, till 1:52
return to top
^
|
|
Scene: The Elves leave
Rivendell
+
CR-TTT Track: The Story
Foretold,
B-12
Source Text:
Hymn to
Elbereth (0:30-0:48) and
The Grace of
the Valar (0:49-1:12)
[0:30] Nef
[0:37] Elbereth Gil
[0:49] boe
[0:53] naer
[0:56] nant
[0:58] ui
[1:02] ben-estel*
*The TTT Live Symphony lyrics tell us this
last word is 'estel'. Neither Sabsi or I think it sounds much like 'estel'.
return to top
^
|
|
Scene: Galadriel talks with
Elrond
+
CR-TTT Track: The Story
Foretold,
B-12
Source Text:
Footsteps of
Doom (1:13 - 1:29);
Lament for Gandalf, chorus (1:30 -
1:56); The Prophecy (2:03 - 2:13)
[1:13] Man
[1:16] Ammen
[1:17] Toltha
[1:18] I
[1:19] Dann
[1:19] hen
[1:20] Morn
[1:25] Si
[1:28] Danna-
[1:29] atha
[1:30] Nauva
[1:41] Mel-
[1:44] melma
[1:45] nóren
[1:46] sina
[1:53] Nur-
[1:54] a lá
[1:55] earo
[1:56] núri
[1:58] va
[2:03] ter
[2:06] ca
[2:09] no
[2:11] nu
[2:13] va
return to top
^
|
|
Scene: Faramir's memories of
Boromir
-
CR-TTT Track: The Sons of
the Steward,
B-13
Source Text:
The Death of
Boromir, Part 1
I'm not entirely sure what I
hear but I think it may be:
[1:35] a (held for till the next syllable)
[1:45] lin(nas)
syllables in parenthesis have been left out
The music at 1:35 is heard
after Faramir's dream as we look down upon the cloven
Horn of Gondor sitting in Faramir's hands. I can't tell
if they're singing in the movie since the cheering from
the next memory has started.
return to top
^
|
|
Scene: Faramir's Seduction
+
CR-TTT Track: Faramir’s Good
Council,
B-15
Source Text:
The Seduction
of the Ring
[1:31] I tuo,
[1:33] i maci-il (a)stal-
(macil sung over three notes)
[1:38] daron mauri
[1:43] nai cor(ma),
[1:47] i tuo i macil
[1:51] a lelyat
[1:54] turenna
[1:55] tu(renn)a
syllables in parenthesis have been left out
return to top
^
|
|
These time stamps work with the
Complete Recordings of the TTT. If the song is on the
regular or special edition CDs, you could find those
timestamps on that track's cue by cue. To determine which
track any song is on, you could consult the
Master Lyrics List for the
TTT.
Numbers after the scene indicate
Disc and Track.
Sources for these lyrics as
sung and their timestamps were developed over time, from
many resources, and by many people. The most current
source we have are the phonetic lyrics given to the
choir for the TT Live to Projection Symphony. The work
of figuring how to match source material with the
phonetic lyrics and how to set them with timestamps has
been done primarily by Sabsi with proofing and
additional
contributions by Danijel and myself.
Not all singing that's heard
in the movies or on CDs is included in the TT Live
Symphony. Some are from extended scenes (and the Live to
Projection series involves the theatrical editions of
the movies) or from Fan Club scrolls. Or maybe they're
an alternate version of score found on one of the CDs.
For those pieces, we are left utilizing a variety of
resources---all limited in their own way. These include:
-
The
TTT
Annotated Score : This provides
only the sketchiest of information about the lyrics. We
are only told in which track each source song is used
first. Successive uses aren't indicated and neither are
we told which lines are sung.
-
Musical notation : These
sources include primarily MusicNotes sheet music and
notation found in the CR Liner notes.
-
Our own ears : This is
the resource we started with that we relied upon
greatly. Sometimes is served us well. Sometimes not.
I once said, "Although we all are exacting in our
labors, our ears are human, not Elven. We are making
our best guesses sometimes. One of us hears 'ah' and
the other hears 'nah'. I also am beginning to
suspect that there's quite a bit of counterpoint
singing going one, either between a choir and a
soloist, or between different sections of the choir.
We may never know what some of these lyrics are for
sure."
For those songs that are
not in the TT Live Symphony, we may-in fact-never know what's sung
for sure. There has never been any eagerness to
provide this information in any official way.
Whether the lyrics as sung followed the source text
in a comprehensible way or not, Shore's intention
was: "It’s more about sound than about meaning." (comment
by Doug Adams) So, if it's not supposed to 'make
sense' (the thinking goes), there's no reason for us
to know what is being sung. My point is, I don't
care if it makes sense either. I just want to sing
along. So far, my argument hasn't been proven
persuasive.
I started a forum to
facilitate discussion of lyrics. Most of the lyrics
for FOTR & TTT have been resolved and I'm reluctant
to revisit ROTK until we get ROTK Live symphony
lyrics. But there are still a few unresolved pieces
out there so I've left those threads open on the
mostly ignored forum in case someone wants to see
what people were thinking. If you have a comment
about any of those unresolved lyrics you can email
me. At that point, we can converse by email or I can
sign you up so you can post at the forum.
A Magpie's Nest Forum
Thanks: as I said before,
all of the most recent work involving the TT Live
Symphony has been done by Sabsi with some help from
Danijel and myself. Whether that information confirmed
what we had before or completely replaced what we
thought before or filled in what we had no clue
before... lots of people contributed to what we 'had
before'. Those people include:
|
Ainu Laire
Angela "Aty"
Ferreira
Danijel Legin
(Bârîn_Katharâd)
Elvenscribe07 |
Gwen Lloyd
Imladir
Incanus (Mikko Ojala)
Kurt Milano
(Ridan) |
Lisa Graves
MinasMorgul
Sabsi Fronek
TheTennisBallKid |
Turesse
Tyrhael
Zigur
and the ones who started it all:
Ryszard Derdzinski and the folks at
Gwaith-I-Phethdain
|
|